Venice Flying Carousel
A human powered, Venice themed, hand carved, ingenious, interactive kinetic sculpture, aka a carousel.
The Main Street, aka Coral Canal, PEEP HOLE BOX
Peek inside to discover Venice of America, as created by Mr. Abbot Kinney.
This is Main Street circa 1910. It was the romantic CORAL CANAL, a scenic waterway with gondolas, gardens and, in the distance, the wild RACE THROUGH THE CLOUDS ROLLER COASTER on the banks of the Lagoon.
Take a peek. Be transported. Enjoy the ride.
12 inch x 5 inch x 4 inch welded steel with plexiglass, copper and printed vinyl 2013
Venice Corner Ball Park
An earthworks corner park paying homage to the Venice Tigers. The story of our Minor League Baseball Team is painted with imagery on the Ball Park electrical box.
The Venice Tigers, was our minor Pacific Coast League pro baseball team from 1913-14. Like their ballpark which was one block east, ours has grassy mounds and hard balls. The marble mosaic balls provide sculptural seating with Venice imagery. 2015 - present
Location: South Venice Boulevard @ Ocean & Mildred.
Each represents a wonder of Venice: historic live Camel rides, Sea Kelp, Italian Architecture - portrait from the Windward Colonnade, and Sea Anemone
Two foot diameter Marble mosaic spheres - urban sculptural seating 2015-present.
The Venice Camel Snapshot
Once upon a time... about 100 years ago, a man named Abbot Kinney created a beachfront town called Venice of America.
It was a mash up of Venice, Italy and Coney Island: with canals, Italian architecture, poets, musicians, artists, a miniature train, wild roller coasters, grand dance halls, huge salt water swimming pools, colorful carousels, crazy attractions.....and live CAMEL rides.
In celebration of Venice's forever artistic and exotic spirit, I've recreated the historic snapshot in life sized COLORIZED SCULPTURES.
See them now strolling along 600 Main Street. 2015
Mr. Abbot Kinney Reflected
Mr. Abbot Kinney Reflected - anamorphic sculptural portrait.
You are NOT looking at an upright painting. The sidewalk painting is magically transformed onto the vertical column...like the magic that Mr. Abbot Kinney.created. 10 foot diameter Epoxy painting on the sidewalk with 6 foot tall x 10 inch diameter stainless steel column.
Electric Ave @ San Juan & 5th St. 2013 to present
The Winged Lion Symbol of the Republic of Venice
Abbot Kinney created Venice of America as a mash up of Venice, Italy and Coney Island. He created romantic canals, built Italian architecture, and brought wild amusement rides to make his fantastic, seaside town of art and amusement. 12" x 8" x 5" welded steel lion
See The Lion Flaps It's Wings
CRANK THE KNOB to FLAP THE WINGS and CHEER "BRAVO!"
In Venice, Italy,
The tablet held by The Winged Lion,
The St Mark Lion, reads:
"Pax Tibi"
Latin: Peace Be With You
Blogtown's Review : The People's Republic of Venice
Robin Murez 2014
Review by BlogtownFlipping Coins And Flapping Wings On Abbot Kinney
Friday, January 9, 2015
I returned back to Venice to discover two new public art pieces by Robin Murez of Venice Public Art up on Abbot Kinney Boulevard, adding to her ever-growing collection of works to honor our town's origins. My favorite has always been the Wheel Of Fortune at The Green House Smoke Shop, but these new ones are pretty great too.
If you pass by the Alternative Apparel shop, you can stop and flip the coin, just like Abbot Kinney did to win his piece of swamp land that became our beloved Venice.
The explanation part is already pretty sun-bleached or something, but you can kind of read the story of how Abbot Kinney won his land in a coin toss. He chose the swampy part, which everyone thought was lame, but he had a vision and a dream and he made Venice. So there.
A short amble up the block and you can flap the wings of the Winged Lion in front of the Roots (chain) store. The Winged Lion is a symbol of "The Republic Of Venice" (which we like to call The PEOPLE'S Republic Of Venice), and we should all pause to reflect and give a flap to acknowledge his splendor.
Coin Toss
The Coin Toss
A Persistence of Vision Thaumatrope Sculpture
Once Upon A Time, about a hundred years ago, Mr. Abbot Kinney, and a partner, owned all of the land from Ocean Park, Santa Monica to Marina del Rey. They began building a city in Ocean Park, including roads, homes, hotels and an amusement pier. Ocean Park was good, stable, land. South of Ocean Park the land was a “swamp.”
When Kinney’s partner was replaced, the new partner didn’t share Kinney’s vision. To sever the partnership and split the parcel they agreed to Toss a Coin.
Kinney won the Coin Toss, and chose the “swamp.” His partner said: “See, I told you he was crazy!”
But Abbot Kinney had a grander vision for creating an unique community by the sea: he dredged the swamp to create canals, built Venetian architecture, a salt water plunge, a dance hall, piers, wild amusement rides, and much more. It was VENICE OF AMERICA, Kinney’s mash-up of Venice, Italy and Coney Island.
FLIP my “coin,” to see Abbot Kinney Toss the Coin and become the Gondolier of Venice Beach. May his creative genius rub off on us all.
8" x 8" x 2" soldered copper Coin, with steel frame, sign & post
Robin Murez 2014
1337 Abbot Kinney Boulevard, Venice, CA
The Charlie Chaplin Zoetrope
Zoetropes were the start of moving pictures ...And Venice, CA has been a part of movie making since the inception.
My Chaplin Zoetrope celebrates this historic and contemporary land of movie making.
Charlie Chaplin first portrayed the Little Tramp in "Kid Auto Races in Venice," filmed in 1914 at Main & Westminster Streets in Venice. It was his second ever film.
14" diameter x 14" tall steel drum with bearings and interior images on vinyl, 2013. Site: 1416 Abbot Kinney Boulevard. Commissioned by Caudalie
Kinney Tabor House
A moire animation
Mr. Kinney bequeathed his home to his chauffeur and close friend, Mr. Tabor. Mr. Tabor was Black. The house was on, what was then, Grand Canal. In 1920, Blacks were not permitted to live on the Canals.
So, Mr. Tabor cut the house into three pieces and used mules to move it to the Oakwood neighborhood of Venice… where it stands today as an Historic Landmark.
LIFT & SHIFT to see the mule moving that three part house along a bumpy route. 15 Years at 1209 AKB
Wheel of Fortune
Find your fortune on Abbot Kinney Blvd
My Wheel takes you to the mirth, mystery and mayhem of Abbot Kinney's original MIDWAY PLAISANCE on the banks of The Lagoon c1906, now Windward Circle.
Abbot Kinney brought amusements from the Chicago Worlds Fair via the Louis & Clark Expo in St. Louis. They included Temple of Mirth, Chicken House, Streets of Cairo and Darkness & Dawn, based upon Dante's inferno.
Formerly @1428 Abbot Kinney Blvd.
Venice Public Art Gallery
Pencil, paper, frame and gallery space provided to create and show your artwork on ever trendy Abbot Kinney Boulevard! Quite a popular attraction @ANOTHER KIND OF SUNRISE a wonderful little cafe snuck in-between buildings on the Boulevard 2015 - 2020
The Canals Overlay
I've painted pretty little BLUE WAVES splashing along the roads that were originally The Kinney Company's canals.
Still to come: WAVES on all the original canal streets, occasional GONDOLAS and STREET SIGNS providing the former canal names.
In 1924, four years after the City of Los Angeles acquired Venice, the canals were filled in and paved over, despite the objections of residents. They had been romantic waterways lined with craftsman homes and lush gardens. The tidal flow needed improvement and automobiles were tauted to replace the existing and effecient mass transit: Trolley Cars, a Miniature Train & Gondola's.
The canals which remain today in Venice, were spared by the shortage of funds, caused by the Great Depression.
Stenciled acrylic paint on miles of street pavement 2013
Windward Circle - The Venice Lagoon
Windward Avenue - Lion Canal
Market Street -Aldebaren Canal
San Juan Street - Venus Canal
Cabrillo Avenue - Cabrillo Canal
Main Street - Coral Canal
Grand Avenue - Grand Canal
Altair Street - Altair Canal
Big Heart
Glass mosaic big heart in front of Westminster Elementary School, Abbot Kinney Blvd. 2016-2022
Mosaic Heart in Francis Park reflecting pool 2004 - present St. Louis, MO
Venice Public Art Murals
Camel Rides in Venice c1910
8 feet x 10 feet wheatpaste on side wall
Mr. Abbot Kinney on His Boulevard
8 feet tall x 30 feet wide wheatpaste on construction wall
Abbot Kinney Boulevard, Venice CA 2013
Commissioned by Blueprint
Self Portrait Mural on Studio Fence
8 feet tall x 30 feet wide acrylic on plastic lattice 2013-present
Astro Rides!
In front of Robin's self portrait on her studio fence. 2935 Main Street, Ocean Park, Santa Monica 2013-2016
Robin's Sculpture Garden
I sculpted my previous studio with an earthworks amphitheater and lush tropical gardens. In addition to my sculpting on site, it was a sculpture garden, performance and event space. I hosted concerts accompanied by aerialists dancing in the sky, from the 30 foot trapeze, circus arts, dance and theatrical performances and pet adoptions. 1632 Abbot Kinney Boulevard, Venice 2000 - 2014
Links to live performances @ Robin's Sculpture Garden
by the brilliant Tommy Santee Klaws 2006 - 2014
"Sweetness" part 1(opens in new tab)(opens in new tab) & part 2
(opens in new tab)"Late Bloomer" 2011
"Straight Lines" 2011(opens in new tab)
"Sweetness" part 1
"Sweetness" part 2
"Late Bloomer" 2011
"Straight Lines" 2011
VIDEO Suspended Ballet by Darwin Carlisle 2014
Painted Buses
Open Temple Mini Bus painted in Peter Max style
1416 Electric Avenue and around town 2018 - present

MetroLink Bus St. Louis, MO: Mermaid and Bard Paintings for the People Project 2001
Dancing in the Park
The Cha Cha Cha, Mambo, Tango and Lindy Swing are mapped out on walkways in Centennial Park inviting visitors to dance as they did in 1910's marathons on the AK Pier. 2015 - present - stainless inlays to come.
Venice Ballroom Dance Marathon 1913
TOTH @ WINDWARD CIRCLE
For a quick infusion of worldly wonders, Abbot Kinney brought attractions from the St Louis Worlds Fair to create the Midway Plaissance on the banks of the Lagoon, now Windward Circle. It included "The Streets of Cairo."
My Toth also came by way of St. Louis. I sculpted him to temporarily adorn the entrance to The Fabulous Fox Theater. He sustained an injury but will be back to share that Egyptian "magic and wisdom."

Postcards of Venice
Postcards of Venice, CA
4" x 6" ink & watercolor sketches of places in the neighborhood 2008
Centennial Park Mosaic Balls
Urban sculptural seating with Venice imagery: The Winged St Mark Lion, Tongva Turtles, Ray Bradbury Rocket Ships, and the Carnival Ball. Adjacent stainless steel plaques tell the stories. 2015 - present. Centennial Park: Venice Blvd btw Abbot Kinney & Ocean Ave.
The Venice Labyrinth
This is one of my Venice Neighborhood Ball Parks: the transformation of a blighted site in Venice into beautiful, interesting, safe & enjoyable neighborhood space.
For this site, owned by the adjacent church, the serene spiritual path fits conceptually and the in-ground form meets practical needs. Painting the church restored it's historic Craftsman style. The Mosaic Ball is both sculptural seating and a neighborhood marker.
Community, private & corporate involvement & funding 2010
Venice Labyrinth Has Some Churchgoers Balking At Circles
By Martha Groves, Los Angeles Times
May 4, 2010 12 AM PT
With its burned-out lawn and overgrown bushes, the corner lot next to Bethel Tabernacle Church in Venice struck sculptor Robin Murez as ripe for resurrection.
So Murez laid plans to turn the church-owned lot into a pocket park with an in-ground labyrinth, where neighbors could gather to chat, and aging churchgoers could park cars there during suppers and Bible study.
“A labyrinth is a very serene place made for spiritual meditation,” Murez said. “The neighborhood needs some healing. The site looked like a scar.”
After months of plotting and planting, the Oakwood Labyrinth at 6th and San Juan avenues was officially unveiled on Saturday — World Labyrinth Day.
Volunteers worked to build the decorative maze with concrete core samples, each of which was 12 inches tall and 6 inches in diameter and buried flush with the turf. Having personally invested hundreds of unpaid hours and thousands of dollars’ worth of materials, Murez speaks of the project with a mixture of exhaustion and pride.
But the lawyer-turned-artist has learned something about the community she thought she knew so well: Even if one’s aim is to improve an area that needs improving, not everyone will be thrilled with the results.
Although passers-by and many neighbors are delighted by the change, the dozen or so elderly churchgoers (oldest member: 94) remain divided on the merits.
“My neighbors told me it was a pagan-type thing,” said Carol Powell, a member who lives a few blocks from the church. “My concern is you don’t walk in a circle. You come inside the church to worship.”
In a neighborhood that has long struggled with gentrification, where million-dollar homes and quirky architectural wonders rise beside peeling bungalows, Murez’s offers of help met with some suspicion.
Pastor Harold G. Smith, who said he feels OK about the labyrinth, said some people have had “some problems with understanding its significance. But I need to help them understand that even if you don’t necessarily like it, you do need to appreciate people doing good things for you for free.”
Murez first broached the labyrinth idea last summer with Sammie Moore, or “Mother Moore,” as Bethel’s members call her. Moore was cleaning the church one Saturday when Murez cycled by.
Murez, who has long maintained a studio and outdoor sculpture garden on Abbot Kinney Boulevard, told Moore about her desire to create public green spaces.
“Robin has a special spirit,” Moore said, “and I was drawn to the idea.”
Moore and Smith said they have done their best to explain to the congregation the concept of a labyrinth as a path for personal, psychological and spiritual transformation. After all, one of the most famous prayer labyrinths, dating from about 1200, is embedded in the floor at Chartres Cathedral near Paris.
But Smith acknowledged that some church members remain confused. Since the labyrinth’s recent completion, he said, feedback has been “nil, zero, zilch.” Meanwhile, church member Powell said she was upset to learn recently that dancing would be part of the opening festivities.
The church got more than it expected out of the arrangement. A block away sits the green Craftsmanstyle house that Venice developer Abbot Kinney bequeathed to his African American chauffeur, Irving Tabor. With that for inspiration, Murez and volunteers painted the beige Craftsman-style church in several complementary shades of green.
Local plumbers, nurseries and stores provided laborers and pitched in with paint, queen palms and an automated sprinkler system.
Alyson Horn, who lives across the street, said the labyrinth “creates a feeling of community and … actually ends up making the area safer. It changes the energy.”
Next door, sculptor Woods Davy initially raised a fuss when landscape architects urged Murez to remove a tree that provided a privacy screen. Murez trimmed it instead, and Davy now says the freshly painted church is “absolutely beautiful.”
Martha Groves who covered the Westside for the Los Angeles Times, left the newsroom in 2015. A native Hoosier, she became a Metro reporter after many years as a Business writer and editor. She previously worked for the Philadelphia Inquirer and the late, lamented Chicago Daily News.